VOLUME 9 ISSUE 2 FALL 2023

46 Spirituality Studies 9-2 Fall 2023 References Alcalde, Jesús. 2007. Música y comunicación. Madrid, ES: Fragua. Anonymous. 2017. The Way of a Pilgrim: Candid Tales of a Wanderer to His Spiritual Father. Edited by Andrew Louth, translated by Anna Zaranko. London, UK: Penguin Classics. Arce, Ricardo S. 2006. “Música de la palabra y gesto ritual: Un saber no científico.” Daimon Revista Internacional de Filosofia 37: 117–134. Barbezat, Daniel P., and Mirabai Bush. 2013. Contemplative Practices in Higher Education: Powerful Methods to Transform Teaching and Learning. San Francisco, CA: John Wiley & Sons. Baroncelli, Rossana. 2015. “Metaphysics of Singing: Proposal for an Inner Journey to Our Spiritual Ground Through Singing.” Voice and Speech Review 9 (1): 4–14. doi.org. Blackhurst, Lindsey Elizabeth. 2021. “Exploring the Whole Singing Self with Technique, Contemplative Education, and Mindfulness.” PhD diss., Columbia University. doi.org. Blacking, John.1973. How Musical is Man? Washington, WA: University of Washington Press. Borriello, Luigi, Edmondo Caruana, María Rosario Del Genio, and Niccolò Suffi. 2002. “Contemplación.” In Diccionario de Mística. Madrid, ES: San Pablo. Boyce-Tillman, June. 2007. “Spirituality in the Musical Experience.” In International Handbook of Research in Arts Education, edited by Liora Bresler, 1405–1424. Dordrecht, NL: Springer. Braud, William. 1998. “Integral Inquiry: Complementary Ways of Knowing, Being and Expression.” In Transpersonal Research Method for the Social Sciences: Honoring Human Experience, edited by William Braud and Rosemarie Anderson, 35–68. Thousand Oaks, CA: Sage. Brown, Steven. 1999. “The Musilanguage Model of Music Evolution.” In Theories of Music Origin, edited by Steven Brown, Björn Merker, and Christina Wallin, 271– 300. Massachusetts, MA: MIT. doi.org. Cavia-Naya, Victoria. 1998. “Una aproximación a la comprensión del fenómeno musical actual.” La realidad musical, edited by Juan Cruz Cruz, 543–556. Pamplona, ES: EUNSA. Cavia-Naya, Victoria. 2004. La vida musical de la catedral de Valladolid en el siglo XIX. Valladolid, ES: Diputación de Valladolid. Cavia-Naya, Victoria. 2006. “Controversias actuales en relación con el fenómeno musical religioso.” In Arte, Música y Sacralidad, edited by Susana Moreno Fernández, 73–98. Valladolid: ES: SITEM-Glares. Cornford, Francis M. 1922. “Mysticism and Science in the Pythagorean Tradition.” The Classical Quarterly 16 (3–4): 137–50. doi.org. D’Amato, Susan S. 2009. “Resonance: Hearing the Christian Mystics Through Metaphors Drawn from Physics.” Theology and Science 7 (1): 47–65. Duerr, Maia. 2004. “The Contemplative Organization.” Journal of Organizational Change Management 17 (1): 43–61. doi.org. Ergas, Oren, and Sharon Todd. 2015. “Introduction: Philosophy East/West Exploring Intersections between Educational and Contemplative Practices.” Journal of Philosophy of Education 49 (2): 163–169. doi.org. Flaubert, Lisabeth. 2017. “From Neanderthal to Neuroscience: Healing with Sound and Voice.” Voice and Speech Review 11 (1): 72–86. doi.org. Gersh, Stephen. 2011. Concord in Discourse: Harmonics and Semiotics in Late Classical and Early Medieval Platonism. Berlin, DE: Walter de Gruyter. Graduale Triplex Seu Graduale romanum Pauli PP: VI. cura recognitum & rhythmicis sginis a solesmensibus monachis. 1979. Paris, FR: Abbaye Saint-Pierre de Solesmes. Golden, Michael D. 2017. “On Music, Interconnection, and Consciousness.” In Music and Solidarity, edited by Felicity Laurence and Olivier Urbain, 31–46. New Brunswick, NJ: Transaction Publishers. Jalics, Franz J. 2003. Contemplative Retreat. Maitland, FL: Xulon Press Jiménez Pasalodos, Raquel. 2020. La música: Los primeros instrumentos sonoros. Burgos, ES: Diario de Atapuerca. Jiménez Pasalodos, Raquel, Ana María Alarcón Jiménez, Neemías Santos Da Rosa, and Margarita Díaz Andreu. 2021. “Los sonidos de la Prehistoria: Reflexiones en torno a las evidencias de prácticas musicales del paleolítico y el neolítico en Eurasia.” Vínculos de Historia 10: 17–37. doi.org. Kerman, Joseph, and Gary Tomlinson. 2008. Listen. Boston, MA: Bedford/St. Martin’s.

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